ekstasis

Paolo Virno talks about Virno and Techno.

Excerpt from the Film "Luoghi Comuni" ("Common Places")

“Architecture is the masterly, correct and magnificent play of masses brought together in light.”

“Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.”

― Le Corbusier, Towards a New Architecture

“I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.”

 ― Arthur Rimbaud, A Season in Hell/The Drunken Boat 

 

“.. how the proud and generous Russian people bore Stalin’s crimes and repression with such resignation; how the Bolshevik Party could tolerate them; not to speak of the final question –

“I shall not evade the most burning issue: it seems to me that either the whole logic of ‘supersession’ must be rejected, or we must give up any attempt to explain how the proud and generous Russian people bore Stalin’s crimes and repression with such resignation; how the Bolshevik Party could tolerate them; not to speak of the final question – how a Communist leader could have ordered them.”

― Louis Althusser, For Marx

“Philosophy is, in the last instance, class struggle in the field of theory.”

― Louis Althusser, Essays in Self-Criticism

1

“For Marcel Proust. – The son of well-to-do parents who, whether out of talent or weakness, chooses a so-called intellectual occupation as an artist or scholar, has special difficulties with those who bear the distasteful title of colleagues. It is not merely that his independence is envied, that the seriousness of his intentions is doubted and that he is presumed to be a secret envoy of the established powers. Such mistrust is borne out of resentment, yet would usually find its confirmation. However the actual resistances lie elsewhere. The occupation with intellectual [geistigen] things has meanwhile become “practical,” a business with a strict division of labor, with branches and numerus clausus [Latin: restricted entry]. Those who are materially independent, who choose out of repugnance towards the shame of earning money, are not inclined to recognize this. For this he is punished. He is no “professional” [in English in original], ranks in the hierarchy of competitors as a dilettante, regardless of how much he knows about his subject, and must, if he wishes to pursue a career, display a professional tunnel vision even narrower than that of the most narrow-minded expert. The suspension of the division of labor to which he is driven, and which the economic state of affairs allows him, within certain limits, to realize, is considered especially scandalous: this betrays the aversion to sanction the hustle and bustle dictated by society, and high and mighty competence does not permit such idiosyncrasies. The departmentalization of the Spirit [Geist] is a means of abolishing such there, where it is not ex officio or contractually obligated. It does its work all the more surely, as those who continually reject the division of labor – if only in the sense that they enjoy their work – reveal, by this selfsame measure, their vulnerabilities, which are inseparable from the moments of their superiority. Thus is the social order [Ordnung] assured: this one must play along, because one could not otherwise live, and that one, who could indeed live, is kept outside, because they don’t want to play along. It is as if the class which the independent intellectual deserted from revenges itself, by forcibly pushing through its demands precisely where the deserter sought refuge.”

— Theodor Adorno , Minima Moralia

 

“Shit on your whole mortifying, imaginary, and symbolic theater!”

― Gilles Deleuze, Anti-Oedipus: Capitalism and Schizophrenia